Contact Katherine Kittoe with enquiries and to purchase
katherine@kittoecontemporary.com | 07968 142289
Ilona explores themes of dominance and submission, power and vulnerability in instinctive, sweeping brushtrokes across aluminium, glass and resin board. Deliciously glossy and sensuous, her paintings are an exercise in both spontaneity and restraint - the narrative hinted at, the colour palette limited, the figures poised on the cusp, compelling and intense.
The Bride
2023
oil and resin on wood board
50 x 40cm
£3,000
Negligee
2019
oil on aluminium
100 x 80cm / 110 x 90cm framed
£5,500
Daniel's work celebrates the urban environment, from vast panoramas to intimate studies of the city. Composed in his signature vivid colour palette and exploring the boundary between abstraction and figuration.
'He finds in the modest familiar view, quite often scruffy and down at heel, so much that is remarkable and beautiful'
William Packer - Art Critic.
From The Empire State Building
oil on canvas
78 x 54cm / 80 x 56cm framed
£3,080
New York Nights
2012
acrylic on canvas
89 x 153cm / 101 x 156cm framed
SOLD
Three Trees (Television Centre)
2021
oil on canvas
89 x 153cm / 101 x 156cm framed
£3,080
Canary Wharf From The Roof
2005
oil on canvas
61x 81cm / 63 x 83cm framed
£2,420
Striking, stylised collage and monoprint inspired by classical art and antiquity.
‘My pictures are perhaps not collages in the conventional sense. I think of them also as paintings.'
Clare prepares her own papers, painting pattern and creating texture then cutting and tearing to produce the final image.
In Passing
2020
unique collage
56 x 69cm / 61x 75cm framed
£1,100
Nymph I
2023
unique collage
21 x 19cm / 31 x 28cm framed
£385
Muse I
2020
unique collage
50 x 50cm / 57 x 57cm framed
£990
Nymph II
2023
unique collage
21 x 19cm / 31 x 28cm framed
£385
Henry explores the language of paint investigating the threshold between abstraction and representation.
A seed of inspiration will kick things off - a colour, a shape, a gesture, a memory - then the journey begins. He’ll often return to a work, painting over, adding, re-working. Over time expressive rhythms of colour and form emerge and repeat.
‘I want to make forms that feel familiar but are unnameable, forms that feel as though we might recognise them but are not “actual things”.’
Shed Painting | 17 August 22
acrylic on paper, 42 x 30cm / 44 x 32cm framed | £770
Shed Painting | 1 January 23 acrylic on paper, 42 x 30cm / 44 x 32cm framed | £770
Creeping Shoulds
2025, acrylic linen,
25x20cm / 27.5x22cm framed £880
Sharing The Load
2025, acrylic linen,
25x20cm / 27.5x22cm framed £880
Playful and expressive abstract paintings celebrating everyday acts of love. Using repetition, hidden layers of colour, fragments and erasures Jess explores the complex mental, physical and emotional loads that are involved in raising a family and keeping connected.
'What makes a good abstract painting? It has something to do with believing it is necessary rather than willed, that it is meaningful even if you can't put it into words. Jess Blandford's work has these qualities, as well as fleshy, sensual colours and brushstrokes, reminiscent of Willem de Kooning.' - Jonathan Jones Art Critic for the Guardian.
READ JESS'S BIOGRAPHY AND VIEW MORE WORK HERE
Kate brilliantly captures the colour, light and atmosphere using tissues and Japanese papers, alongside painting and drawing. Whether a fresh take on Venice or a colour-filled abstract she seeks to find an energy and balance.
Venice - Indigo
2024, mixed media on paper, 40 x 30cm / 46 x 36cm framed
£660
Venice - Pink
2024, mixed media on paper, 40 x 30cm / 46 x 36cm framed
£660
Laura’s work is a hybrid of painting and sculpture. Her focus is minimalist, geometric abstraction exploring architectural form and colour. The sleek, even coloured surfaces are painted delicately so that they are free of gestural brush strokes and fields of saturated clean-edged colour appear to float on the surface of the wall.
"My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence."
Within - Purple/Yellow
2025
interior paint on board,
107 x 73cm
£2,900
William has dedicated his life to the visual arts variously as Teacher, Critic, Curator and Author - and always as Painter. Fot the last 25 years he has focused on still-lives.
Each 'a little world, a tiny city, a paradigm and parallel reality to be explored in the imagination and realised in the act of painting'.
William works in natural light on fast surfaces using a muted colour palette. A regular cast of characters appear in his work often alongside ephemeral wildflowers. The painting and composition can change radically during the process of reconciling space, form and light onto the two dimensional surface of the canvas so the finished image is not always quite what it seems to be.
Iris
2025, oil on board
40 x 22cm
£1,100
An instinctive and masterly colourist whether working in oil, watercolour, gouache, pastel or ink. Her subjects were landscapes and interiors which she could simplify to the point of abstraction whilst delighting in ornament, pattern and decoration. Inspired by her extensive travels she has been described as a ‘Neo-romantic impressionist, with a touch of Bloomsbury at its best’ and a ‘latter-day fauve, unselfconscious in her debt to Matisse.'
Greek Landscape
c1980
gouache on paper
51 x 62cm / 66 x 77cm framed
£1,485
Greek Landscape (Orange)
c1980
gouache on paper
51 x 62cm / 66 x 77cm framed
£1,485
Kirsty's childhood in rural Scotland meets her love of Modernist design and Brutalist architecture, combining abstract expressions of land and sky, with strong architectural line and negative space.
Mill 018
2025, acrylic on canvas
104 x 79cm framed
£1,485
