Coffee Can (c1820)
2026, oil on card,
25.5x22.5cm / 29x25.5cm framed
£1,595
Birdcatcher Bowl (Caughly)
2026, oil on card,
25x21cm / 28.5x24.5cm framed
£1,595
Coffee Can (Eliza)
2026, oil on card,
15x18.5cm / 18.5x22cm framed
£1,100
Tea Bowl (New Hall)
2026, oil on card,
15x18.5cm / 18.5x22cm framed
£1,595
Glass, Metal, Clay
2026, oil on card,
34x44cm / 36.5x46.5cm framed
£1,980
Marigold, Daisy, Dandelion
2024, oil on card,
46x46cm / 49.5x49.5cm framed
£2,750
Marigold & Iris
2024, oil on card,
41x34cm / 45x39cm framed
£2,400
Pink, Gold, Grey (Tin Can & Saki Box)
2001, oil on board,
46x61cm / 55x70cm framed
£3,300
White Jug Behind, Tall Jug In Front
2001, oil on board,
46x61cm / 60x75cm framed
£3,300
Iris
2025, oil on board,
39 x 22cm / 44 x 26cm framed
£1,100
Agapanthus
2025, oil on board,
40 x 22cm / 44 x 26cm framed
£1,100
Pink Geranium
2025, oil on card,
29 x 17cm / 34 x 22cm framed
£880
Potted Geranium
2024, oil on paper,
30 x 21.5cm / 42.5 x 33cm framed
£775
Psilostemon Geranium
2025, oil on card,
30 x 23cm unframed
£990
Platypetalum Geranium
2025, oil on card,
30 x 21cm / 35 x 26cm framed
£990
Flower Diptych
2024, oil on board, 30 x 46cm / 34 x 49cm framed
£1,320
Brixton Agapanthus 1
2025, oil on card,
25 x 19cm / 30 x 24cm framed
£880
Brixton Agapanthus 3
2025, oil on card,
23 x 14cm / 28 x 19cm framed
£825
Brixton Agapanthus 4
2025, oil on card,
25 x 15cm / 30 x 20cm framed
£825
Brixton Rose
2024, oil on board,
30 x 21cm / 34 x 25cm framed
£990
Hawkbit & Anemone
2023, oil on linen, 46 x 38cm
£2,400
Anemone & Rudbeckia
2023, oil on linen, 46 x 38cm
£2,400
William has dedicated his life to the visual arts variously as Teacher, Critic, Curator and Author - and always as Painter.
For the lasy 30 years William has focused on still-life - with regular detours into PORTRAITURE , LANDSCAPE and COLLAGE documenting the people he has met and places he has visited in his career. There are common threads, in terms of formal composition, structure and colour palette - not least his constant and enduring commitment to painting and he continues to produce work from his Brixton studio.
'The greater mystery is ever there, of quite how that dab of paint on the canvas becomes, by some alchemy, something quite other than itself'
Alongside painting, William’s parallel careers as Art Critic, for many years for the Financial Times, and teacher at art schools around the country made him an established figure in the British art world. He has curated numerous shows, written innumerable catalogue essays and served on many selection committees. He is a member of the New English Art Club and and Honorary member of the Royal Society of British Artists and his work is represented in the National Portrait Gallery, Sheffield City Art Galleries and many private collections. Turning 81 this year provides a perfect opportunity to acknowledge the breadth of his artistic achievement.
‘As a schoolboy I remember envying those of my fellows who had any idea of what they wished to do and be: I had no idea. Perhaps I still don't, for in an odd way I sense that my life in art found me'.