JESS QUINN
JESS QUINN
katherine@kittoecontemporary.com
katherine@kittoecontemporary.com
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Dive into Jess Quinn’s surreal, colour-filled world. Jess’s unique vision is vivid and unsettling - through her work she explores female archetypes and the experience of the female artist whilst facing her own demons.
Dive into Jess Quinn’s surreal, colour-filled world. Jess’s unique vision is vivid and unsettling - through her work she explores female archetypes and the experience of the female artist whilst facing her own demons.
Her paintings reflect her personal struggle to survive and create in a restrictive and oppressive domestic space - the struggle to find her voice and independence, the struggle to reconcile child rearing with making art.
Her paintings reflect her personal struggle to survive and create in a restrictive and oppressive domestic space - the struggle to find her voice and independence, the struggle to reconcile child rearing with making art.
She skilfully weaves together memories and real events with fictional characters and places borrowing from fairy tales, folklore and history of art. It is a thrilling and potent mix and we cannot wait to share her enigmatic, compelling paintings with you.
She skilfully weaves together memories and real events with fictional characters and places borrowing from fairy tales, folklore and history of art. It is a thrilling and potent mix and we cannot wait to share her enigmatic, compelling paintings with you.
‘I am not afraid to use colour and pattern and often employ an abundance of both. We tend to associate colour with a childlike lack of sophistication especially in Western culture where we are encouraged to employ restraint in order to show maturity and sophistication. I have no interest in a muted world.’ - Jess Quinn
‘I am not afraid to use colour and pattern and often employ an abundance of both. We tend to associate colour with a childlike lack of sophistication especially in Western culture where we are encouraged to employ restraint in order to show maturity and sophistication. I have no interest in a muted world.’ - Jess Quinn
‘Jess is a figurative artist of both narrative and surrealist disposition. That narrative however is hardly explicit, often casual, almost throw-away in its sly references and darkly fanciful associations. It draws freely upon myth, legend and fairy tale, and upon art history too, or seems to do so, for the hint is there, but left to us to pick up: so too those odd, scarcely noticed particular details – of socks, shoes, hats, collars and cuffs, rings and ribbons, a crab, a cat. There is to it all a quietly unsettling, febrile, almost angry intensity of mood and feeling quite its own’ - William Packer, Artist & Art Critic - Quote from catalogue introduction.
‘Jess is a figurative artist of both narrative and surrealist disposition. That narrative however is hardly explicit, often casual, almost throw-away in its sly references and darkly fanciful associations. It draws freely upon myth, legend and fairy tale, and upon art history too, or seems to do so, for the hint is there, but left to us to pick up: so too those odd, scarcely noticed particular details – of socks, shoes, hats, collars and cuffs, rings and ribbons, a crab, a cat. There is to it all a quietly unsettling, febrile, almost angry intensity of mood and feeling quite its own’ - William Packer, Artist & Art Critic - Quote from catalogue introduction.
Jess Quinn was born in Bristol in 1968 to a British father and American mother. Childhood summers were split between the beautiful hills of Snowdonia and the vast flat farmlands of Indiana. She trained at Glasgow School of Art, 1993-96, gaining a first class degree and the prize for best degree show. Family and children followed. Jess went on to train as an art teacher and returned to painting with renewed vigour in 2016. She lives and works outside Cardiff.
Jess Quinn was born in Bristol in 1968 to a British father and American mother. Childhood summers were split between the beautiful hills of Snowdonia and the vast flat farmlands of Indiana. She trained at Glasgow School of Art, 1993-96, gaining a first class degree and the prize for best degree show. Family and children followed. Jess went on to train as an art teacher and returned to painting with renewed vigour in 2016. She lives and works outside Cardiff.
Three Sisters
2023, oil on canvas, 91 x 61cm
£ 1,760
Don't Forget to Call Your Mom
2023, oil on canvas, 76 x 61cm
£ 1,485
Imagining A Time Before
2022, oil on canvas, 122 x 100cm | SOLD
The Guardian, The Mother
2022, oil on canvas, 120 x 100cm | £4,400
Hag, Virago, Crone
2022, oil on canvas, 152 x 122cm | £5,500
Susanna
2022, oil on canvas, 120 x 100cm | £4,400
Her Demons, Her Hope
2022, oil on canvas, 120 x 100cm | £4,400
Sirens
2022, oil on canvas, 91 x 61cm | £1,760
Babes In The Wood
2022, oil on canvas, 91 x 61cm | £1,760
The Monster's Ball
2022, oil on canvas, 122 x 152cm | £5,500
Dreams & Nightmares II
2022, oil on canvas, 51 x 40cm | £990
Pouring Moonlit Gold
2022, oil on canvas, 51 x 40cm | £990
Grandma's Coming To Tea (diptych)
2021, oil on canvas, 80 x 129cm | £2,200
Self Portrait As A Middle Aged Woman
2020, oil on canvas, 60 x 51cm | £1,100
The Artist In Her Landscape
2021, oil on canvas, 91 x 61cm | £1,200
Sisters are doing it for themselves
2019, acrylic on canvas, 76x76cm | £1,200
Late Afternoon On A Mountain Top
2019, acrylic on canvas, 25.5 x 25cm | £550
Pink Sky
2019, acrylic on canvas, 15 x 20cm | £440
Mountain Bloom
2019, acrylic on canvas, 33.5 x 29cm framed | £550
Feeding The Baby Birds
2022, oil on canvas, 61 x 76cm | £1,485
The Retired Milkmaid
2022, oil on canvas, 40 x 30cm | £660
Blue Girl
acrylic on canvas, 61 x 46cm | £660
Barefoot in the Park
2016, acrylic on canvas, 46 x 61cm | £770
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