Embedded Files
There's An Angel In The Front Room
2026, oil on board
25 x 20cm unframed | £440
There's A Ghost In The Back Yard
2026, oil on board
25 x 20cm unframed | £440
When The Ghost Of Her Brother Came To Tea
2026, oil on board
19.5 x 16.5cm unframed | £385
After Blue Beard
2026, oil on board
30.5 x 23cm unframed | £495
She Will Leave Us
2026, oil on canvas board
40 x 40cm unframed | £550
The Empty Chair
2025, oil on board
25 x 20cm unframed | £440
Red Moon & Snow In Wales
2026, oil on board
15 x 10cm unframed | £220
Moon Over A Welsh Hillside
2026, oil on board
15 x 10cm unframed | £220
Moon Over A Welsh Hillside II
2026, oil on board
15 x 10cm unframed | £220
Fallin Stars Under A Red Moon
2026, oil on board
18 x 13cm unframed | £220
Where Are You Going?
2025, acrylic on canvas
31 x 41cm unframed | £660
Red Tree Under A Winter Moon
2025, acrylic on canvas
31 x 41cm unframed | £660
She Lives On The River
2025, acrylic on canvas
76 x 61cm unframed | £1,250
The Artist's Smock
2019, gouache on paper
35 x 27cm / 47 x 39cm framed | £550
The Artist & Her Daughter
2018, gouache on paper
42 x 30cm / 56 x 44cm framed | £550
Woman in a Landscape
2019, japanese watercolour and gouache on paper
42 x 30cm / 54 x 42cm framed | £550
Greenhouse
2018, gouache on paper
21 x 30cm / 43 x 34cm framed £495
Mother
2019, japanese watercolour and gouache on paper
25x 17.5cm / 39 x 31.5cm framed | £440
Desert Retreat
2023, gouache on paper
30 x 21cm / 43 x 44cm | £495
Portrait Of The Artist
2024, gouache on paper
30 x 21cm / 46 x 37cm framed | £495
The Erinyes Are Coming
2025, gouache on paper
30 x 21cm / 42 x 33cm framed | £495
The Erinyes Waiting For Their Sister At Dawn
2025, gouache on paper
30 x 21cm / 42 x 33cm framed | £495
The Sirens Are Rising
2025, gouache on paper
30 x 21cm / 42 x 33cm framed | £495
Untitled
2024, gouache on paper
30 x 21cm unframed | £385
Hectate In The Attic
2025, gouache on paper
30 x 21cm unframed | £385
Red Riding Hood
gouache on paper
21 x 30cm unframed | £385
Journey Through The Desert
2019, gouache on paper
21 x 15cm / 32 x 26cm framed
£385
Young Woman & Swan
2019, gouache on paper
30 x 23cm / 43 x 36cm framed | £550
Raining
2019, gouache on paper
28 x 31cm / 40 x 44cm framed | £550
Footprints In The Sand
2022, gouache on paper
30 x 23cm / 43 x 36cm framed | £550
Lost In The Wood
2019, gouache on paper
21 x 15cm / 30.5 x 26.5cm framed | £385
Protecting My Younger Self
2020, graphite pencil & pastel on paper
21 x 15cm / 30.5 x 26.5cm framed | £385
The Runaway Bride
2018, gouache on paper
15 x 21cm unframed| £330
The Cliff Edge
2018, gouache on paper, 30 x 42cm unframed | £500
In to the woods
2019, japanese watercolour and gouache on paper
30.5 x 40cm unframed | £500
Dive into Jess Quinn’s surreal, colour-filled world. Jess’s unique vision is vivid and unsettling - through her work she explores female archetypes and the experience of the female artist whilst facing her own demons.
Dive into Jess Quinn’s surreal, colour-filled world. Jess’s unique vision is vivid and unsettling - through her work she explores female archetypes and the experience of the female artist whilst facing her own demons.
Her paintings reflect her personal struggle to survive and create in a restrictive and oppressive domestic space - the struggle to find her voice and independence, the struggle to reconcile child rearing with making art.
Her paintings reflect her personal struggle to survive and create in a restrictive and oppressive domestic space - the struggle to find her voice and independence, the struggle to reconcile child rearing with making art.
She skilfully weaves together memories and real events with fictional characters and places borrowing from fairy tales, folklore and history of art. It is a thrilling and potent mix and we cannot wait to share her enigmatic, compelling paintings with you.
She skilfully weaves together memories and real events with fictional characters and places borrowing from fairy tales, folklore and history of art. It is a thrilling and potent mix and we cannot wait to share her enigmatic, compelling paintings with you.
‘I am not afraid to use colour and pattern and often employ an abundance of both. We tend to associate colour with a childlike lack of sophistication especially in Western culture where we are encouraged to employ restraint in order to show maturity and sophistication. I have no interest in a muted world.’ - Jess Quinn
‘I am not afraid to use colour and pattern and often employ an abundance of both. We tend to associate colour with a childlike lack of sophistication especially in Western culture where we are encouraged to employ restraint in order to show maturity and sophistication. I have no interest in a muted world.’ - Jess Quinn
‘Jess is a figurative artist of both narrative and surrealist disposition. That narrative however is hardly explicit, often casual, almost throw-away in its sly references and darkly fanciful associations. It draws freely upon myth, legend and fairy tale, and upon art history too, or seems to do so, for the hint is there, but left to us to pick up: so too those odd, scarcely noticed particular details – of socks, shoes, hats, collars and cuffs, rings and ribbons, a crab, a cat. There is to it all a quietly unsettling, febrile, almost angry intensity of mood and feeling quite its own’ - William Packer, Artist & Art Critic - Quote from catalogue introduction.
‘Jess is a figurative artist of both narrative and surrealist disposition. That narrative however is hardly explicit, often casual, almost throw-away in its sly references and darkly fanciful associations. It draws freely upon myth, legend and fairy tale, and upon art history too, or seems to do so, for the hint is there, but left to us to pick up: so too those odd, scarcely noticed particular details – of socks, shoes, hats, collars and cuffs, rings and ribbons, a crab, a cat. There is to it all a quietly unsettling, febrile, almost angry intensity of mood and feeling quite its own’ - William Packer, Artist & Art Critic - Quote from catalogue introduction.
Jess Quinn was born in Bristol in 1968 to a British father and American mother. Childhood summers were split between the beautiful hills of Snowdonia and the vast flat farmlands of Indiana. She trained at Glasgow School of Art, 1993-96, gaining a first class degree and the prize for best degree show. Family and children followed. Jess went on to train as an art teacher and returned to painting with renewed vigour in 2016. She lives and works outside Cardiff.
Jess Quinn was born in Bristol in 1968 to a British father and American mother. Childhood summers were split between the beautiful hills of Snowdonia and the vast flat farmlands of Indiana. She trained at Glasgow School of Art, 1993-96, gaining a first class degree and the prize for best degree show. Family and children followed. Jess went on to train as an art teacher and returned to painting with renewed vigour in 2016. She lives and works outside Cardiff.
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