Join us to celebrate 8 years!
4th - 15th November
Open | Wednesday-Sunday | 11am-5pm
155a Gallery, 155a Lordship Lane (Off Bawdale Road)
East Dulwich, SE22 8HX
Contact Katherine Kittoe with enquiries, & to purchase
katherine@kittoecontemporary.com | 07968 142289
Joe Berger, Jess Blandford, Clare Packer, William Packer, Daniel Preece, Jess Quinn, Lina Maria Rincon, Kate Scott, Laura Jane Scott, Ilona Szalay, Gabriela Szulman, Kirsty Tanner & Henry Ward.
Ilona explores themes of dominance and submission, power and vulnerability in instinctive, sweeping brushtrokes across aluminium, glass and resin board. Deliciously glossy and sensuous, her paintings are an exercise in both spontaneity and restraint - the narrative hinted at, the colour palette limited, the figures poised on the cusp, compelling and intense.
Repose
2026
oil on aluminium
70x100cm unframed / 73x103cm framed
£3,300
Kirsty's childhood in rural Scotland meets her love of Modernist design and Brutalist architecture, combining abstract expressions of land and sky, with strong architectural line and negative space.
Land Form Form 035
2026, acrylic on canvas board
50x40cm unframed / 51.5x41.5cm framed
£770
Laura’s work is a hybrid of painting and sculpture. Her focus is minimalist, geometric abstraction exploring architectural form and colour. The sleek, even coloured surfaces are painted delicately so that they are free of gestural brush strokes and fields of saturated clean-edged colour appear to float on the surface of the wall.
"My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence."
Compartment 006
2026
interior paint on board
27.5x22cm unframed / 29x24cm framed
£895
Daniel's work celebrates the urban environment, from vast panoramas to intimate studies of the city. Composed in his signature vivid colour palette and exploring the boundary between abstraction and figuration.
'He finds in the modest familiar view, quite often scruffy and down at heel, so much that is remarkable and beautiful'
William Packer - Art Critic.
Chelsea Bridge
2026, oil on canvas
61x71cm unframed / 64.5x64.5cm framed
£3,300
Playful and expressive abstract paintings celebrating the invisible work of everyday family life. Using repetition, hidden layers of colour, fragments and erasures Jess explores the complex mental, physical and emotional loads that are involved in raising a family and keeping connected.
'What makes a good abstract painting? It has something to do with believing it is necessary rather than willed, that it is meaningful even if you can't put it into words. Jess Blandford's work has these qualities, as well as fleshy, sensual colours and brushstrokes, reminiscent of Willem de Kooning.' - Jonathan Jones Art Critic for the Guardian.
Thinking Of Everything II
2026
oil & acrylic on linen
100 x 100cm / 103 x 103cm framed
£3,300
William has dedicated his life to the visual arts variously as Teacher, Critic, Curator and Author - and always as Painter. Fot the last 30 years he has focused on still-lives.
Each 'a little world, a tiny city, a paradigm and parallel reality to be explored in the imagination and realised in the act of painting'.
William works in natural light on fast surfaces using a muted colour palette. A regular cast of characters appear in his work often alongside ephemeral wildflowers. The painting and composition can change radically during the process of reconciling space, form and light onto the two dimensional surface of the canvas so the finished image is not always quite what it seems to be.
Coffee Can (c1820)
2026, oil on card
25.5 x 22.5cm unframed / 29 x 25.5cm framed
£1,595
Jess Quinn creates surreal worlds, filled with colour and pattern, that mix the magical and the mundane. She weaves together memories and real events with fictional characters and places. Jess takes inspiration from art history and explores the role of women in art creating a unique vision of the world.
"I am not afraid to use colour and pattern and often employ an abundance of both'
Pretty Little Girl
2026
oil on canvas
41x31cm unframed / 44x34cm framed
£770
Whimsical and surreal collages are filled with humour, colour and random evocative connections.
‘I love delving into old photograph albums, vintage documents. Second-hand bookshops, market stalls, attics and long-forgotten boxes are my treasure trove. I’m an inveterate collector of things that other people discard, and through my work I try to bring them back to life.’
Looking At You VIII
2026
gilded collage on board
30 x 19.5cm
£330 framed
Henry explores the language of paint investigating the threshold between abstraction and representation.
A seed of inspiration will kick things off - a colour, a shape, a gesture, a memory - then the journey begins. He’ll often return to a work, painting over, adding, re-working. Over time expressive rhythms of colour and form emerge and repeat.
‘I want to make forms that feel familiar but are unnameable, forms that feel as though we might recognise them but are not “actual things”.’
Shed Painting | 2 Feb III 23
2023
acrylic on paper
40x30cm unframed / 50x37cm framed
£770
Striking, stylised collages.
‘My pictures are perhaps not collages in the conventional sense. I think of them also as paintings.'
Clare prepares her own papers, painting pattern and creating texture then cutting and tearing to produce the final image.
Clouds Gathering
2026, original collage on paper
28x37cm unframed / 43x52cm framed
£ 880
Irreverant, stylish limited edition screenprints & giclee prints from our brilliant illustrator and cartoonist.
Prices range from £150 - £550
Venus (Green Pencil)
2026
limited edition hand finished screenprint
29 x 76cm unframed / 39 x 87cm framed
£ 450 unframed / £550 framed
Verdant imagined interiors and still-lifes where dreams, waking life, control and instinct meet. Overgrown with plants, sometimes inhabited by a panther or a snake, sometimes empty but vibrating with potential. Lina's bold expressive work is rendered in luscious colour and draws on her long-term dream archive, Jungian Psychology and Surrealism.
A Jaguar Blanket
2026
acrylic on canvas
100x150cm unframed / 103x153cm framed
£ 3,500
Kate brilliantly captures the colour, light and atmosphere using tissues and Japanese papers, alongside painting and drawing. Whether a fresh take on Venice or a colour-filled abstract she seeks to find an energy and balance.
Venice
2025
mixed media on paper
42 x 30cm
£660 framed
