Embedded Files
10% Off Until Midnight Sunday 7th December
10% Off Until Midnight Sunday 7th December
Lost Girl 1
2022, oil on canvas paper
65 x 50cm / 78 x 64cm framed | £990
Now £891
Lost Girl 3
2022, oil on canvas paper
65 x 50cm unframed | £880
Now £792
Lost Girl 4
2022, oil on canvas paper
65 x 50cm / 78 x 64cm framed | £990
Now £891
Portrait Of The Artist
2024, gouache on paper
30 x 21cm / 46 x 37cm framed | £495
Now £445.50
The Erinyes Are Coming
2025, gouache on paper
30 x 21cm / 42 x 33cm framed | £495
Now £445.50
The Erinyes Waiting For Their Sister At Dawn
2025, gouache on paper
30 x 21cm / 42 x 33cm framed | £495
Now £445.50
The Sirens Are Rising
2025, gouache on paper
30 x 21cm / 42 x 33cm framed | £495
Now £445.50
Untitled
2024, gouache on paper, 30 x 21cm unframed | £385
Now £346.50
Hectate In The Attic
2025, gouache on paper, 30 x 21cm unframed | £385
Now £346.50
Resting In The Desert
2018, gouache on paper
21 x 15cm / 32 x 26cm framed
£385
Now £ 346.50
Desert Retreat
2023, gouache on paper
30 x 21cm / 43 x 44cm | £495
Now £445.50
Journey Through The Desert
2019, gouache on paper
21 x 15cm / 32 x 26cm framed
£385
Now £ 346.50
Once Upon A Time There Was A Girl Who Dreamt Of Becoming An Artist II
2023, pastel on paper, 64 x 48cm unframed
£ 770
Now £693
Young Woman & Swan
2019, gouache on paper
30 x 23cm / 43 x 36cm framed | £550
Now £495
Raining
2019, gouache on paper
28 x 31cm / 40 x 44cm framed | £550
Now £495
Footprints In The Sand
2022, gouache on paper
30 x 23cm / 43 x 36cm framed | £550
Now £495
Naked No
2018, japanese watercolour and gouache on paper
29 x 15cm unframed
£330
Now £297
Young Witch In Her Best Hat
2022, gouache on paper
14 x 14cm / 24 x 24cm framed | £330
Now £297
Lost In The Wood
2019, gouache on paper
21 x 15cm / 30.5 x 26.5cm framed | £440
Now £396
Little Witch And Pet Monkey
2022, gouache on paper
19 x 14cm / 30.5 x 25cm framed | £385
Now £ 346.50
Young Witch With Her Pet Monkey
2022, gouache on paper
19 x 14cm / 30 x 24.5cm framed | £385
Now £ 346.50
Young Witch & Crow
2022, gouache on paper
19 x 14cm / 30 x 24.5cm framed | £385
Now £ 346.50
The White Witch
2022, gouache on paper
19 x 14cm / 30 x 24.5cm framed | £385
Now £ 346.50
Feeding The Baby Birds II
2022, gouache on paper
15 x 13cm unframed| £300
Now £270
Cottage Under A Rainbow
2018, gouache on paper
15 x 21cm unframed | £300
Now £270
Feeding The Baby Birds I
2022, gouache on paper
14 x 14cm unframed | £300
Now £270
The Cliff Edge
2018, gouache on paper, 30 x 42cm unframed | £500
Now £450
The Artist's Smock
2019, gouache on paper
35 x 27cm / 44 x 36cm framed | £550
Now £495
Greenhouse
2018, gouache on paper
21 x 30cm unframed | £440
Now £396
The Artist & Her Daughter
2018, gouache on paper
42 x 30cm unframed | £500
Now £450
Red Riding Hood
gouache on paper
21 x 30cm unframed | £440
Now £396
Bauhaus Interior
2018, gouache on paper
42 x 30cm unframed | £500
Now £450
Blue
2018, japanese watercolour and gouache on paper
29 x 15cm/ 39x25cm framed
£330
Now £297
Festival Girl
2018, japanese watercolour and gouache on paper
29 x 15cm/ 39x25cm framed
£330
Now £297
Miss Mouse
2018, japanese watercolour and gouache on paper
29 x 15cm/ 39x25cm framed
£330
Now £297
Under The Stars
2018, japanese watercolour and gouache on paper
29 x 15cm/ 39x25cm framed
£330
Now £297
Mimosa
2018, japanese watercolour and gouache on paper
29 x 15cm/ 39x25cm framed
£330
Now £297
Green
2018, japanese watercolour and gouache on paper
29 x 15cm/ 39x25cm framed
£330
Now £297
Protecting My Younger Self
2020, graphite pencil & pastel on paper
21 x 15cm / 30.5 x 26.5cm framed | £440
Now £396
Protecting My Younger Self
2020, graphite pencil & pastel on paper
30 x 21cm unframed | £440
Now £396
Picnic with watermelon and dala horses
2019, japanese watercolout and gouache on paper
35 x 27cm / 44 x 36cm framed | £550
Now £495
Woman in a Landscape
2019, japanese watercolour and gouache on paper
42 x 30cm / 54 x 42cm framed | £550
Now £495
The Artist & Her Muse
2019, gouache on paper, 39 x 29cm | £550
Now £495
Mother
2019, japanese watercolour and gouache on paper
25.5 x 18cm unframed | £330
Now £297
The Birds
2019, japanese watercolour and gouache on paper
25.5 x 18cm unframed | £330
Now £297
Untitled
2019, japanese watercolour and gouache on paper
25.5 x 18cm unframed| £330
Now £297
The Runaway Bride
2018, gouache on paper
15 x 21cm unframed| £300
Now £270
In to the woods
2019, japanese watercolour and gouache on paper
30.5 x 40cm / 44 x 56cm framed | £550
Now £495
10% Off Until Midnight Sunday 7th December
10% Off Until Midnight Sunday 7th December
Dive into Jess Quinn’s surreal, colour-filled world. Jess’s unique vision is vivid and unsettling - through her work she explores female archetypes and the experience of the female artist whilst facing her own demons.
Dive into Jess Quinn’s surreal, colour-filled world. Jess’s unique vision is vivid and unsettling - through her work she explores female archetypes and the experience of the female artist whilst facing her own demons.
Her paintings reflect her personal struggle to survive and create in a restrictive and oppressive domestic space - the struggle to find her voice and independence, the struggle to reconcile child rearing with making art.
Her paintings reflect her personal struggle to survive and create in a restrictive and oppressive domestic space - the struggle to find her voice and independence, the struggle to reconcile child rearing with making art.
She skilfully weaves together memories and real events with fictional characters and places borrowing from fairy tales, folklore and history of art. It is a thrilling and potent mix and we cannot wait to share her enigmatic, compelling paintings with you.
She skilfully weaves together memories and real events with fictional characters and places borrowing from fairy tales, folklore and history of art. It is a thrilling and potent mix and we cannot wait to share her enigmatic, compelling paintings with you.
‘I am not afraid to use colour and pattern and often employ an abundance of both. We tend to associate colour with a childlike lack of sophistication especially in Western culture where we are encouraged to employ restraint in order to show maturity and sophistication. I have no interest in a muted world.’ - Jess Quinn
‘I am not afraid to use colour and pattern and often employ an abundance of both. We tend to associate colour with a childlike lack of sophistication especially in Western culture where we are encouraged to employ restraint in order to show maturity and sophistication. I have no interest in a muted world.’ - Jess Quinn
‘Jess is a figurative artist of both narrative and surrealist disposition. That narrative however is hardly explicit, often casual, almost throw-away in its sly references and darkly fanciful associations. It draws freely upon myth, legend and fairy tale, and upon art history too, or seems to do so, for the hint is there, but left to us to pick up: so too those odd, scarcely noticed particular details – of socks, shoes, hats, collars and cuffs, rings and ribbons, a crab, a cat. There is to it all a quietly unsettling, febrile, almost angry intensity of mood and feeling quite its own’ - William Packer, Artist & Art Critic - Quote from catalogue introduction.
‘Jess is a figurative artist of both narrative and surrealist disposition. That narrative however is hardly explicit, often casual, almost throw-away in its sly references and darkly fanciful associations. It draws freely upon myth, legend and fairy tale, and upon art history too, or seems to do so, for the hint is there, but left to us to pick up: so too those odd, scarcely noticed particular details – of socks, shoes, hats, collars and cuffs, rings and ribbons, a crab, a cat. There is to it all a quietly unsettling, febrile, almost angry intensity of mood and feeling quite its own’ - William Packer, Artist & Art Critic - Quote from catalogue introduction.
Jess Quinn was born in Bristol in 1968 to a British father and American mother. Childhood summers were split between the beautiful hills of Snowdonia and the vast flat farmlands of Indiana. She trained at Glasgow School of Art, 1993-96, gaining a first class degree and the prize for best degree show. Family and children followed. Jess went on to train as an art teacher and returned to painting with renewed vigour in 2016. She lives and works outside Cardiff.
Jess Quinn was born in Bristol in 1968 to a British father and American mother. Childhood summers were split between the beautiful hills of Snowdonia and the vast flat farmlands of Indiana. She trained at Glasgow School of Art, 1993-96, gaining a first class degree and the prize for best degree show. Family and children followed. Jess went on to train as an art teacher and returned to painting with renewed vigour in 2016. She lives and works outside Cardiff.
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